Manuel Barrueco: The Music of Ernesto Lecuona for Solo - download pdf or read online

By Manuel Barrueco (Arranger)

ISBN-10: 076929622X

ISBN-13: 9780769296227

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13. Art Tatum, arrangement of Ellington, “Don’t Get Around Much Anymore,” conclusion sequential ascent to a peak, rapid descent, hitting bottom, rebound—is preserved in all particulars. In the Tatum arrangement, as in most of the nineteenth-century examples, the schema goes hand in hand with tonal structure, in the sense that, as a ¤nal cadential gesture, it af¤rms the tonic. But the gesture is hardly dependent upon tonality. For, just as, say, Schoenberg’s atonal music preserved a number of gestural and rhythmic qualities of tonal music in his atonal and twelve-tone music, so is our four-part schema suf¤ciently detachable from its tonal moorings that it can function in posttonal contexts as a rhetorically heightened cadential gesture.

Only the F s of measures 231 and 233, which twice generate a taut augmented triad when combined with the right hand, disturb the sense of diatonic security. In measures 231 and 233 of the left hand, a gentle cadential gesture, E 3–C4–B 3–(A ), in a “tenor” voice gracefully complements each bass move to the dominant—a tension-releasing gesture that creates a vastly different effect from the constantly churning uneasiness of the left hand of the Prelude. ) Furthermore, the long-short, beginning-accented rhythms of the left hand of the Ballade have an altogether more benign effect than the nervous, end-accented ostinato of the Prelude.

Hence Ligeti’s music of silence takes on ¤gurative as well as aesthetic connotations. The third movement of Barbara Kolb’s Appello also incorporates a largely inaudible compositional structure with similar results. 9 illustrates how the ¤rst two measures unfold. The ¤rst measure contains a four-note pitch set that repeats four times. The apparent randomness of the pitch succession in this measure, however, is misleading. In fact, each note of the pitch set occurs once, and only once, on each quarter-note beat-class as the chart below the excerpt reveals.

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Manuel Barrueco: The Music of Ernesto Lecuona for Solo Guitar (Guitar Scores) by Manuel Barrueco (Arranger)


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