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By Stefano Zuffi

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Sample text

Ninety percent of the time I use no reference—but when I do, I often find inspiration in the shapes of plants, parts of animals, insects, or machines. C. Wyeth, Frank Frazzetta, and Stanislav Szukalski, I use their work and that of other great artists as the mark to which I aspire. I think it’s important we measure ourselves as artists against established masters; to try to walk along the path they have forged, to at least keep our eyes fixed on something solid. If you look at my drawing area at work, you’ll notice among the mess are my John Buscema and Nicolai Fechin drawings.

I find it really interesting when I read what an artist was thinking about when he/she did a particular piece, as long as it’s not some made-up blather. If it’s real and true, then it gives poetry to the art. It gives it thickness, and I think that’s edifying to the viewer. Special Thanks GRACE & JUDGMENT This piece was sketched on Masonite, then scanned in and painted in the Corel Painter program. The medium for each piece is determined by the personality of that particular work. On most drawings I’ll use black Prismacolor, but there are times when I’ll use graphite or Colorerase or Derwent colored pencils, etc.

That would be unfair to you and to me. I find it really interesting when I read what an artist was thinking about when he/she did a particular piece, as long as it’s not some made-up blather. If it’s real and true, then it gives poetry to the art. It gives it thickness, and I think that’s edifying to the viewer. Special Thanks GRACE & JUDGMENT This piece was sketched on Masonite, then scanned in and painted in the Corel Painter program. The medium for each piece is determined by the personality of that particular work.

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Mantegna by Stefano Zuffi


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