By D. Chambers
During this exciting new quantity, Dianne L. Chambers covers new floor at the lifestyles and literary profession of Edith Wharton via studying her paintings opposed to the backdrop of the numerous demanding situations confronted by means of ladies writers in the USA on the time. Chambers argues that Wharton’s final luck as a seriously acclaimed author bargains a robust, whether considerably ironic, reaction to the repeated tales in regards to the silencing of ladies present in a lot of her paintings. This ebook deals an in depth research of Wharton’s significant novels written among 1905 and 1922 and illuminates how Wharton’s multi-layered narratives provide her a voice and a big position in American literary historical past.
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Additional info for Feminist Readings of Edith Wharton: From Silence to Speech (American Literature Readings in the 21st Century)
Com - licensed to Taiwan eBook Consortium - PalgraveConnect - 2011-03-05 36 37 excitement of working so closely with the author but notes: “It was a mark of our hostess, whether natural or self-imposed, that when the hours of work were over, there was an end: the book-people vanished, the luncheon-bell rang, and there was only the hostess receiving her friends with all the arts of civilization” (162). Apart from close friends and intellectual companions such as Walter Berry and Henry James, there were apparently few people with whom Wharton discussed her work.
Mrs. Bell adds that “many women” have confessed to feeling that Wharton “looks at me as if I were a worm” (28). Daniel Updike says that in Lenox, “neighboring ladies were sometimes made uncomfortable by the suspicion—by no means unfounded—that Mrs. Wharton was ironically amusing at their expense” (17). Yet, as Susan Goodman argues in Edith Wharton’s Women, this picture is not entirely accurate. Goodman describes the intimate friendship Wharton shared with Sara Norton that lasted for twentytwo years as “egalitarian” and suggests that the lengthy correspondence between the two is a “rebuttal” to the view of Wharton as a woman who disliked other women (33, 31).
Yet, as Susan Goodman argues in Edith Wharton’s Women, this picture is not entirely accurate. Goodman describes the intimate friendship Wharton shared with Sara Norton that lasted for twentytwo years as “egalitarian” and suggests that the lengthy correspondence between the two is a “rebuttal” to the view of Wharton as a woman who disliked other women (33, 31). She points out that a survey of Wharton’s letters to her sister-in-law Minnie Jones and her childhood friend Daisy Chandler belie the image of Wharton as a woman at continual war with members of her gender.
Feminist Readings of Edith Wharton: From Silence to Speech (American Literature Readings in the 21st Century) by D. Chambers