By Kaitlynn Mendes (auth.)
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Additional info for Feminism in the News: Representations of the Women’s Movement since the 1960s
Deviant feminists Because few women have historically held positions of power in the public sphere, academics have noticed that they usually only receive media coverage when ‘acting out’, or breaking away from traditional gender roles (Pingree & Hawkins 1978, p. 122). While this included demonstrations and protests, it also encompassed any actions that went against traditional expectations of women (such as public speaking, participating in the public sphere for causes other than philanthropy or religion).
200). While advertisements have been the focus of many studies, others examine different forms of popular culture, such as John Berger’s Ways of Seeing (1972). This analysed representation of women through art, arguing that women are depicted quite differently from men, not because of innate differences between masculinity and femininity but because ‘the ‘ideal’ spectator is always assumed to be male and the image of the woman is designed to flatter him’ (p. 64). Berger contends that women in Western cultures are trained to look at themselves from a masculine perspective and are represented through symbols (see also Mulvey 1975).
Studies also indicate that women are more likely to report on and appear as sources in soft news, whereas the same holds true for men regarding hard news (Lachover 2005; Global Media Monitoring Project 2005, 2010; Ross 2007; Rhode 1995; Tuchman et al. 1978; Women in Journalism 1998). Consequently, such findings point to the gendered nature of news, which has become a focus for academics. Gender and news While scholars have long examined representations of women in the non-news media, much contemporary research explores the gendered nature of news, with particular attention paid to how gender relations shape and influence news practices, forms, institutions and audiences (Carter et al.
Feminism in the News: Representations of the Women’s Movement since the 1960s by Kaitlynn Mendes (auth.)