By Paul Jackson
Introducing recommendations for making pop-ups from one sheet of card, the 3rd identify during this sequence on paper engineering takes folding suggestions into the 3rd size. each one bankruptcy introduces a brand new technical notion and indicates how that procedure might be tailored in lots of alternative ways, or mixed with concepts from prior chapters. those 3-D concepts might be integrated into any layout the place typography and/or representation are used, together with mail-shots, own exposure, invites, company playing cards, and greetings playing cards. With their emphasis on floor layout over advanced slicing, the pop-ups have an immediate attraction for designers.Following the based, easy-to-follow kind of Paul Jackson’s different titles for Laurence King, reduce and Fold suggestions for Pop-Up Designs is an important source for advertising pros and layout scholars.
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Extra resources for Cut and Fold Techniques for Pop-Up Designs
So, for each new design that you make, turn it over and around in your hands and view it from all sides. Set it down on a flat surface in a variety of positions, as described above. The design will often change dramatically as it is manipulated from one display position to another and a poor design may suddenly come to life when seen from another frontal point of view. : 040 2. 4 W hich Way Up, Which Way Around? 4 Here is a simple ‘Three and One’ example. The pop-up is exactly the same in each drawing – the single cut and the folds are always identical.
3 _ 2). 3 _ 2. 3 _ 5 In this version of the ‘Three-and-One’ structure, the pop-up width ‘A’ is greater than the background width ‘B’. When collapsed flat, part of the pop-up will protrude and be vulnerable. B : 051 A A B B 3. 3 _ 6 Similarly, this version of the ‘Two and Two’ structure has ‘A’ greater than ‘B’. The effect when the card is collapsed flat is to create a mildly vulnerable form, which, while not completely secure, may be considered acceptable. 3 _ 7 Measurements become a little more complicated when a cut crosses and recrosses the gutter, as shown here.
Draw the lines. 3 _ 3 Draw a fourth line. 3 _ 2 and – crucially – it creates a copy of angle ‘A’. 3. 3 _ 4 This is the completed construction. The simple horizontal cut may be a different shape (see ‘Taking the Cut for a Walk’, page 46), but the organization of the angles is fixed. Note that angle ‘A’ is seen twice, on the left and on the right. 3 _ 5 The point of convergence can be anywhere on the centre line (the gutter). It is well worth experimenting with different placements of this point, for both the symmetrical and asymmetrical convergent structures.
Cut and Fold Techniques for Pop-Up Designs by Paul Jackson