New PDF release: Contemporary Musicians: Profiles of the People in Music:

By Julia Rubiner

ISBN-10: 081032217X

ISBN-13: 9780810322172

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Extra resources for Contemporary Musicians: Profiles of the People in Music: Volume 9

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There were no labels up there then," Devoto was quoted by Savage as saying. "Again it's the question of ambition. I don't think we had much of an idea of the way things were swelling. " To Shelley, Spiral Scratch was an end in itself. "We only pressed 1000," he said. " Yet the Buzzcocks' vision spawned an international movement. "Indies"—the name eventually given to the entire network of independent labels—went on to make up an estimable portion of record sales, while their aesthetic influence on all of youth culture has been immense.

It was believed that the solo music for strings had no warmth, no artistic value. With these "exercises," however, "Casals displayed the [German] master as a fully human creator whose art had poetry and passion, accessible to all people," author Kirk stated in Pablo Casals: A Biography. "[Bach], who knows everything and feels everything, cannot write one note, however unimportant it may appear, which is anything but transcendent," Casals stressed to Jos6 Maria Corredor in Conversations With Casals.

How could anyone think of them as being cold, when a whole radiance of space and poetry pours forth from them," he marveled in Joys and Sorrows. " Casals studied and practiced the suites every day for a dozen years before he exposed them to the public, and he continued to play at least one suite every day for the rest of his life. Garnered New Respect for Bach's Music His performance of the suites both shocked and astounded listeners. During the nineteenth-century revival of Bach's music, only the cantatas and the religious works were played in public.

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Contemporary Musicians: Profiles of the People in Music: Volume 9 by Julia Rubiner

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