Read e-book online Contemporary Musicians: Profiles of the People in Music: PDF

By Michael LaBlanc

ISBN-10: 0810322153

ISBN-13: 9780810322158

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Veteran Coleman fans and musicians whom he has influenced agree that the combination of his theoretical pronouncements and his steadfast commitment to his own vision has complicated the public's appreciation of his music. " His oldest sideman, Charlie Haden, had already been similarly drawn to this free-jazz experience in the late 1950s, when, as he relates in the People, Ornette told him: "Here are some chord changes, but you don't have to play them. " Haden's response was like that of many a modern jazz player since: "Man, I had so much fun I couldn't believe it.

Michael E. Mueller Crenshaw • 33 F J. D. Crowe Banjo player, singer, songwriter or more than 20 years the name J. D. Crowe has been synonymous with experimental bluegrass music. A first-rate banjo player in his own right, Crowe has been the leader of two progressive bands—the Kentucky Mountain Boys and the New South—both of which have made stylistic forays into rock, jazz, and country. " Freeman added that Crowe's solid playing and willingness to let fellow band members create their own styles "produced a stunningly contemporary sound within a traditional context, .

By the time he was a teenager, Crowe could pick well enough to find professional work, and by eighteen he had landed a spot in a major bluegrass band. His first big job was with Mac Wiseman in 1955. Touring the country with Wiseman's group and the companion band of Don Reno and Red Smiley, Crowe was able to spend hours jamming with some of the creators of the bluegrass sound. In 1956 Crowe joined the Sunny Mountain Boys, a band headed by Jimmy Martin. With this group Crowe was not only expected to pick but also to sing, in a style somewhat different from the one he'd developed.

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Contemporary Musicians: Profiles of the People in Music: Volume 5 by Michael LaBlanc


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