By Kenton O'Hara, Barry Brown
Hearing, paying for and sharing tune is an immensely vital a part of way of life. but contemporary technological advancements are more and more altering how we use and eat tune. This publication collects jointly the newest experiences of track intake, and new advancements in track expertise. It combines the views of either social scientists and know-how designers, uncovering how new track applied sciences are literally getting used, besides discussions of latest tune applied sciences nonetheless in improvement. With a selected specialize in the social nature of tune, the e-book breaks new flooring in bringing jointly discussions of either the social and technological elements of tune use. Chapters disguise subject matters comparable to using the iPod, song applied sciences which motivate social interplay in public locations, and track sharing at the internet.
A helpful assortment for an individual all in favour of the way forward for song know-how, this e-book can be of specific curiosity to these designing new tune applied sciences, these operating within the song undefined, besides scholars of tune and new expertise.
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Additional resources for Consuming Music Together Social and Collaborative Aspects of Music Consumption Technologies
Within cultural studies there has been more of a focus on the attitudes and uses to which music is put in different cultural groups (Longhurst 1995; Gay, Hall et al. 1997). For example, in Willis’ book “common culture” (Willis 1990), he discusses how young people, in using different music products, creatively rearrange and reinvent those products, vesting them with their own meanings in the process. Willis describes how simple audio equipment like record players, microphones and tape-to-tape copying machines were appropriated by teenagers to provide entertainment at parties, and also as leisure activities in themselves.
Listening to the soundtrack of that experience however I remembered more clearly the sensations of that moment, the feeling behind my utterance (‘Certainly I would like to come back here later’). 2. Theme and Variations These examples illustrate the theme I will to speak to in the second half of this 24 2. Music and Emotion in Real Time chapter – music’s role as a real time mediator of emotion and action. In each of these examples it is possible to see music as one component in a conglomerate that includes: (a) actor(s), (b) time, (c) space, (d) act(s) of engagement (with music and with other things), (e) social conditions and (f) material-spatial environment.
Listen without Prejudice. Epic (Sony) EPC 467295-2. PART 2 SHARING MUSIC Chapter 3 SHARING AND LISTENING TO MUSIC Barry Brown and Abigail Sellen 1. Introduction One of the most controversial computer applications of recent times has been the “Napster” file sharing system. Napster made front-page news worldwide in 2000, with the legal drama around the service causing much comment and attention (Hellmore, 2000, Richtel, 2000). Napster allowed users to copy MP3 music files across the internet from other Napster users.
Consuming Music Together Social and Collaborative Aspects of Music Consumption Technologies by Kenton O'Hara, Barry Brown