New PDF release: Bloom's Old Sweet Song: Essays on Joyce and Music (Florida

By Zack Bowen

ISBN-10: 0813013275

ISBN-13: 9780813013275

  James Joyce used track and musical allusion in ways in which no different author has attempted. Ulysses on my own includes greater than 800 music references, many as based upon track as lyrics. In those retrospective essays, Zack Bowen, the top specialist on Joyce and song, describes this bond among song and Joyce's fiction, explaining how musical allusions tell either person passages and the topic or constitution of whole works.  

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Must be abstemious to sing. 2228) However, Bloom is aroused and unable to repress thoughts of Molly and Blazes's lovemaking. As the music progresses, the sensual aspects of it overwhelm Bloom, and it becomes no longer music, but the act of love that Molly and Blazes are carrying out: Tenderness it welled: slow, swelling. Full it throbbed. That's the chat. Ha, give! Take! Throb, a throb, a pulsing proud erect. Words? Music? No: it's what's behind. Bloom looped, unlooped, noded, disnoded. Bloom. Flood of warm jimjam lickitup secretness flowed to flow in music out, in desire, dark to lick flow, invading.

Must be Cowley. Musical. Knows whatever note you play. Bad breath he has, poor chap. Stopped. 3241) That Bloom is able to differentiate Cowley's touch from another is rather remarkable, as is his later notice that the piano has been tuned: "Piano again. Sounds better than last time I heard. 1415). To differentiate various players by their touch alone, or to tell that a piano has been tuned, unless it was badly out of tune, demonstrates on Bloom's part an experienced musical ear. As the piano resumes again, the music brings to Bloom's mind memories of a particular performance and the female harpist who played in the orchestra: Piano again.

That's the chat. Ha, give! Take! Throb, a throb, a pulsing proud erect. Words? Music? No: it's what's behind. Bloom looped, unlooped, noded, disnoded. Bloom. Flood of warm jimjam lickitup secretness flowed to flow in music out, in desire, dark to lick flow, invading. Tipping her tepping her tapping her topping her. Tup. Pores to dilate dilating. Tup. The joy the feel the warm the. Tup. To pour o'er sluices pouring gushes. Flood, gush, flow, joygush, tupthrop. Now! Language of love. 3040) When Bloom asks himself if it is the music that is driving him to his disquieting thoughts, his answer, "No: it's what's behind," indicates his appreciation of the symbolism and irony underlying the song, and furnishes additional evidence that he sees some of his own dilemma in the music.

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Bloom's Old Sweet Song: Essays on Joyce and Music (Florida James Joyce) by Zack Bowen


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