By Irvin Ehrenpreis
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Additional resources for Acts of Implication: Suggestion and Covert Meaning in the Works of Dryden, Swift, Pope, and Austen
As love, hate, and jealousy clashin Dryden's playswith various kinds of obligation (revenge, patriotism, filial obedience), they suggest a division between pagan and Christian morality which at times can become explicit, as in Tyrannick Love, and lead us into religious themes. Dryden often deepens the idea of genital pleasure by the ancient bond between piety and sexual passion; for he evokes a doctrine of the sacredness of voluptuous indulgence. The joys of love become in his language not an embellishment of life but the focus of life.
A longawaited peripety occurs as he turns back from an emotional debate with his wife Octavia to his other side, where an old, dear friend, Dolabella, stands. When Dolabella supports Octavia's call to duty, Antony turns again and finds his beloved officer Ventidius pleading with him. Octavia now produces Antony's two children and comes up before him with them: one little girl holds his arms; the other hugs his waist, making a vertical, triangular composition. " The modulation is from the most 4.
Lyndaraxa: Entered! Why, have you any business here? Abdalla: I am pursued, the enemy is near. Lyndaraxa: Are you pursued, and do you thus delay To save yourself? Make haste, my lord, away. Abdalla: Give me not cause to think you mock my grief: What place have I, but this, for my relief? Lyndaraxa: This favour does your handmaid much oblige, < previous page page_21 next page > < previous page page_22 next page > Page 22 But we are not provided for a siege: My subjects few; and their provision thin; The foe is strong without, we weak within.
Acts of Implication: Suggestion and Covert Meaning in the Works of Dryden, Swift, Pope, and Austen by Irvin Ehrenpreis