By Susan Graham and Robert Ashenhurst (Edited and Introduction by)
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Additional info for ACM Turing Award Lectures : The First Twenty Years : 1966 to 1985 (ACM Press Anthology Series)
We compose programs in the external syntax which, for the purposes of human communication, we fix. The internal syntax is generally assumed to be so translator and machine dependent that it is almost never described in the literature. Usually there is a translation process which takes text from an external to an internal syntax representation. Actually the variation in the internal description is more fundamentally associated with the evaluation rules than the machine on which it is to be executed.
In this talk I shall try to explain why I think 'Art" is the appropriate word. I will discuss what it means for something to be an art, in contrast to being a science; I will try to examine whether arts are good things or bad things; and I will try to show that a proper viewpoint of the subject will help us all to improve the quality of what we are now doing. One of the first times I was ever asked about the title of my books was in 1966, during the last previous ACM national meeting held in Southern California.
1965), 569; The structure of the "THE" multiprogramming system, CACM 11 (May 1968), 341-346. 3 Go to statement considered harmful, CACM 11 (Mar. 1968), 147-148. 4A short introduction to the art of computer programming. Technische Hogeschool, Eindhoven, 1971. Author's present address: Department of Computer Sciences, The University of Texas at Austin, Austin, TX 78712. 17 We have come to value good programs in much the same way as we value good literature. And at the center of this movement, creating and reflecting patterns no less beautiful than useful, stands E.
ACM Turing Award Lectures : The First Twenty Years : 1966 to 1985 (ACM Press Anthology Series) by Susan Graham and Robert Ashenhurst (Edited and Introduction by)